Although Richard wants her for her beauty, he also needs her knowledge. As a local wise-woman, she knows cures and poisons, and an unknown poisoner is at work somewhere on his manor.
The closer the two become despite the social gulf between them, the more their danger grows until matters come to a dangerous head when Eleanor is kidnapped.
Reissued by Muse It Up October 2016
Reviews of previous Ellora's Cave edition:
Lindsay Townsend makes the fictional seem realistically authentic in her historical tales. Since THE LORD AND ELEANOR takes place during a time in history when living conditions were often difficult to endure, persons responsible for others were frequently forced into agreeing to arrangements not of their choosing. Being a woman, although free, still puts Eleanor under the control of those who rule the area where she lives. This feisty female faces discrimination with much self-respect, even though some still see her as a bondswoman regardless of her new status. Her independent streak definitely made me think highly of her, and I enjoyed watching her converse with Richard as she never let him get the best of her. He is certainly a wonderful champion for Eleanor, as he supports her without undermining her confidence since he asks for opinions and does not demand consent, like many lords in this period would have done. How he interacts with those who serve him also demonstrates his inner personality. Compassion may have been one of the reasons Richard noticed Eleanor at first, but his concern for her welfare soon changes into something much more sexual. Their responses to each other are sincere, and Ms. Townsend makes the love between them seem genuine. There is a little mystery to the story plus a touch of suspense, and the facts pertaining to these aspects are skillfully handled. THE LORD AND ELEANOR captures the essence of the medieval period in spirit and detail.
As desire ignites between Eleanor and Richard, something evil lurks in the shadows and deadly events occur which threaten the lives of not only Eleanor and Richard, but also Richard’s children and Eleanor’s siblings. Will their budding love be extinguished at the hands of a murderer?
Once again, Ms. Lindsay Townsend has created a story filled with intrigue, deep characters and written in almost poetic prose. Although Ms. Townsend creates imperfect characters, they warm the heart with their depth, nobility and spirit of fairness and right.
The Lord and Eleanor may be short but it is packed with action, mystery and scenery so beautiful the reader can imagine it clearly like treasured art. Ms. Townsend never disappoints. Her work will sweep the reader away to another time and place and steal the reader’s heart with her characters. No reader who likes historical stories will want to miss reading The Lord and Eleanor.
The clever beginning of The Lord and Eleanor, with the mention of ‘rope burns’, pulled me right into the story instantly. Why rope burns? I needed to know more.
Ms. Townsend’s gentle writing style makes perfect sense of this intriguing beginning to her story and in few words paints a picture of Eleanor, her heroine, strong in adversity, caring beyond measure and prepared to stand up for her rights against deep seated prejudice.
Cleverly, she depicted Richard, her hero and local Lord, as a man ‘wanting’ and for a few moments I wondered how the author intended to take the reader over the gap between ‘wanting’ and loving. I need not have worried. Richard has loved and lost and has a caring and instinctive nature that recognizes his interest for Eleanor as what it is; the stirring of something far stronger than lust.
The small community and all the prejudices that come with such an environment, are woven into the plot, as is the antagonist. The Lord and Eleanor is short and packs in a lot of detail, emotion and tension and if I have a small nit to pick with Ms. Townsend’s story it's the outcome of the antagonist; unless, that is, she intends to bring him into another story.
Ms. Townsend paints vivid word pictures of her settings, and weaves action and emotions into them with apparent ease.
The secondary characters, including the children all have their parts to play, to carry the story forward and the bonding between the children was utterly believable.
The author left this reader sighing with satisfaction and closing the book with the word ‘charming’ running through my mind. (Four Stars)