I admit it. I have a 'thing' about hair in my writing.
Not in real life. My hair is brown going grey and tough. It goes its own way and if it's cut 'wrong' then it will spike. I have it cut short and leave it alone. We get along fine. But in my romance novels, I love hair.
What colour will the herone's hair be? How long? Wavy? Curly? I always like to imagine my main female character's hair.
"Uncle Marc! Is she not as beautiful as the sun? That is what her name means. She is Sunniva, Sun-Gift. Do you not think she is like the sun?"
"Steady, little one. You will wake your sisters. But yes, you are right. She is most comely."
I kept in mind the meaning of her name all the time I wrote her - and her hair.
It's a sweet vice but I have to be careful. Sometimes I have have my characters spending too much time 'fiddling' with their own or others' hair - stroking, patting, tweaking, adding flowers. My heroes are usually as hair-fixated as I am and sometimes I need to remove some of their petting.
Why a dark-haired hero? I've never quite understood that romance 'guide'. Guillelm in A Knight's Vow is blond, a golden dragon. (Again, I use the colouring as my own reminder and key to character) Marc in A Knight's Captive has darker hair and a beard which he shaves off - to "reveal" himself. I've written dark-haired heroes but to me it's not an essential.
To celebrate brown hair, my bull-leaping heroine Sarmatia has long, brown hair:
"Still sprinting, Sarmatia shook her long brown hair out of its plait, laughing when a colt started back from her. She mopped her sweating face and pointed to the stream. The stallion wheeled round and headed for the water, Sarmatia keeping pace with his easy canter. One by one, they lost the other members of the herd to the lush grazing of the stream meadows, but they themselves drew closer, the horse's long mane and Sarmatia's hair mingling on the breeze in a weave of shades and textures. As they ran the sun poured golden from them both, like spray from sporting dolphins."
Her hair is different from the people of the Northern tribe where she settles with Fearn, the hero of . Fearn is a red-head, and many of his tribe are auburn or blond. Fearn has red hair to mirror his quick temper and to hint at his paranormal powers. I wanted him to 'show up' and he does!
"Kutatos had not told her that Ramose was Nubian, dark as a rare pearl. And the man beside him, fully as tall, white as Ramose was black— her breath hissed in her throat when she looked on Fearn for the first time. The healer had red hair, a red-gold beard. He glittered in that fierce Kretan sunlight. A bright stare mirrored hers then Fearn bowed his head."
Sarmatia clearly likes red-heads because she has a chestnut horse, too.
So I have fun with hair. I've had curly haired heroes and heroines, long haired heroes and heroines, shorn heroes. I've had heroines caught by their hair - Joanna, the heroine in my third knight novel, A Knight's Enchantment is trapped by her long hair while trying to escape.
Next time I will have to celebrate the naked scalp. That, for me, will be a challenge. Here’s Ahhotpe again:
"He applauded her invention in emerging not from the riverbank but from the Nile itself. No other woman would have had the courage to make a path for herself through the tall papyrus, risking the malice of snakes and other riverside creatures. When she first appeared, rising from the river with a beating of birds’ wings, sun flashing on her pale hair, even Sekenenre had trembled. The waterfowl fluttered around her outstretched hands as though waiting to receive a blessing, then passed in a rush of color straight over Sekenenre’s head."
One of my heroes - in Silk and Steel, a short novel from Siren - is grey-haired. He is young but his
(All photographs by courtesy of Wikimedia Commons)