In Ursula le Guin's Earthsea Trilogy, names are part of the magic and being of characters, and to discover someone's true name is to gain power over that person. Names do have power. I wonder how many sons will be called Obama in future years?
Names have power and significance in romance, too. If a hero has a bulky, awkward name, do readers empathise with him? If a heroine has an 'old-fashioned' name, does she lose credibility?
I always try to discover if names have meanings and bear those meanings in mind as I write. For example, my heroine in A Knight's Captive is called Sunniva, which means Sun Gift. It's a Viking name, still used in parts of Britain. AVERIL is another name I would love to use sometime - it's meaning is 'Wild boar battle maid'.
As a historical romance writer I try to use names I feel are appropriate to the period in which I'm writing. Sarmatia is a real name, taken from a Kretan Linear B writing tablet of the time when Bronze Lightning is set. Ahhotpe in Blue Gold means 'The Moon is Content', which is nicely ironic, given that my Egyptian princess is very ambitious! Sometimes names cetainly can deceive. I had an anti-heroine in one of my modern romantic suspenses (Night of the Storm) and I called her Katherine, which means 'Pure'.
So names do matter, as a clue to a character's background and nature or as a key to period. I am always filled with admiration for fantasy and science fiction romance writers who devise names. Of course, sometimes names cannot be avoided: I read a good historical war-and-romance novel (The Assyrian by Nicholas Guild) and the names there - all authentic - were very difficult to me: very long and multi-syllabled.
For me, at least, some names are to be avoided!
Lindsay (it means 'Linden Tree')